20 for 20: Episode 12: It’s all about people

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Ah, it’s election day. Election day brings back special memories for me — of live blogging, deadline cartoons and cold pizza. I never went out and covered the candidates, but I did sit at my desk, beating my head until an idea popped out. I’d face a 10:30 deadline, praying that the election would be called in time (Bush v. Gore threw a wrench into my plans.) I’d sweat blood but would somehow get the job done. My muse is cranky but consistent.

I can close my eyes and see many of my old coworkers rushing to make deadline. And I can tell you this, I worked with some really good people. Here are a few memories of a few of them.

1. David Hampton. David was my editor for 15 years and is a big reason why I am as successful as I am. He never told me what to draw (in fact, we frequently disagreed on issues). But he knew what was a good cartoon. And he is a fine man. I’m proud to still call him friend.

2. Shawn McIntosh. Shawn was my executive editor for a brief time. My 16-year-old, who was a baby during her tenure, would fuss at her — and I always felt bad about that. She’d like him now, though. I need to run him by the Atlanta Journal Constitution sometime so they can talk government. I think she’d be impressed. She owns the Eagle Head cartoon from 9/11. It has a fine owner.

3. Bobby Cleveland. Could read the phone book and make it funny. He also told me the best dirty joke I know. He’s a hell of a cook. Always said he had the best job in the newsroom. I got paid to draw. He got paid to hunt and fish. When he left the paper, I missed him immediately.

4. Rick Cleveland. Rick is a hell of a writer. Sure, he is a legendary Mississippi sports writer, but his piece he wrote about a mother sacrificing her life to protect her child during a tornado is one of the best pieces I’ve ever read. We’d see each a couple of times a year and I always looked forward to it. Proud to work with his son Tyler now.

5. Orley Hood. You miss Orley. I miss Orley. We all miss Orley. The guy was a brilliant writer, loved his wife and sons more than words and always brightened the day with his smile. I wish he could have had enough time to write a book. It would be amazing. Cancer sucks.

6. Billy Watkins. If I ever do anything worthwhile, I want Billy writing about it. He’s as solid of a writer as there is — an amazing storyteller. He also knows more about the Beatles than Paul McCartney does. He’s as good of a man as I know.

7. Joe White. You probably don’t know Joe, but Joe was the editorial department’s copy editor. He also was the person I first ran my ideas by in the morning. Joe has a neat store near the courthouse in Mendenhall and is one of the most interesting people you will ever meet.

8. Ruth Cummings. People called her mama Ruth because she took young reporters under her wing. Ruth also makes amazing cheese straws. I miss Ruth.

9. Debbie Skipper. Debbie is the keystone that holds the newsroom together. She has put in monster hours since I’ve known her. She is also a good friend and has a good ear. I run my cartoons by her when Sam Hall isn’t available now.

10. Mike Knobler and Rusty Hampton. Two of our past sports editor and both very different in style. But both are brilliant and ran a great department. Neither were shy about voicing their opinion. Mike is a great pilot (and sketchy driver) and has flown to Europe in a single engine plane! Rusty now is a strong cyclist.

11. Joe Powell. (One of the sports writers.) One New Year’s a rifle slug came through the ceiling, struck the desk next to him and ricocheted and hit the light, causing it to shower sparks like the Natural. Joe didn’t flinch. Bullet hole is still in the ceiling tile.

12. Kyle Veazey Kyle got social media before anyone else in the newsroom. He went from building a strong sports following to easing into politics. A good guy.

13. Jim Ewing. I sat four feet from Jim for 15 years. I’ve watched his struggles and victories. But I can tell you this, there is no one who can write informed copy any faster. He was a walking encyclopedia of issues.

14. Sid Salter. There aren’t many people who I respect personally more. Love or hate what he writes, he is one of the most solid human beings I’ve ever met. I look up to him and am proud to know him.

15. Annie Oeth. Annie has a big ol’ heart and is as tough as nails. She’d lie down in front of a truck for her kids.

16. Earnest Hart. Earnest had a rare ability most artists don’t have — he is calm in a storm. He’s now at the Secretary of State’s office and lays out the Bluebook. And he never changes.

17. Godfrey Jones. One of the most talented human beings I’ve ever met. I wish I could draw half as well as he does. The guy loves his cars, too. Would always love seeing what he’d drive into the parking lot.

18. Nate Ruffin. Nate was the HR director and one of the people who interviewed me when I got the job. He also was the Marshall football player who gave up his seat on that fateful flight. (Watch We Are Marshall). As long as he lived, he kept the memories of his teammates alive.

19. Frances Mack. Frances is the glue that holds the C-L together. She pretty much runs the place. But she’s also a great friend and a good ear when you’re having a bad day.

20. Jon Broadbooks. John and I worked for the same newspaper company in Houston, Texas. We were married on the same day. We both went to UT (he got a masters from there.) He picked me up from the airport on my job interview here in Jackson. Jon went up the food chain and became an executive editor before transitioning out of journalism. Great guy.

21. Chris Todd. Chris is a very good photographer and a better man. He’d bust my chops occasionally and had a very dry, acrid wit. But his resilience is something I deeply respect.

22. Keith Warren. Keith and his family were the heart and the soul of The Run for the Sun. He’s a talented photographer, a loving husband, father and grandfather. He can also make a Mac computer run when no one else can.

23. J.D. Schwalm. Cancer took J.D. from us. He showed us how to live while he was dying. A brilliant photographer but an even better human being.

24. Bill Hunsberger. Read one of my previous posts about Bill. An amazing man.

25. Emily Wagster Pettus and Gary Pettus. I’ve known Emily and Gary for a long time. Both are excellent writers. Gary’s sense of humor is as dry as it comes and he doesn’t give a rat’s ass who he offends. Emily is a solid government reporter and a good friend.

I could continue this all day. I’ve worked with hundreds of people in the past 20 years. Most were passionate. They all loved what they did and what they covered. Many were Mississippians. Some have gone on to the big time (Michael Wallace, Seiko Smith, Paige Porter, Ian Rapoport). Some haven’t. But all have shaped my work in one way or the other.
It was never about money with them. It was about passion. That’s something people who only focus on money will never understand.

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20 for 20: Episode 11 — Fish in a barrel

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Most cartoonists will never see the politicians they lampoon. Me? I run into them daily. It’s interesting to see how people react to being in an editorial cartoon. No one truly likes to be made fun of — I get it. Lord knows I get my fair share of shots taken at me (read the comment sections). It’s just part of the job. And most politicians understand that. Most of them.

One former local politician once really started chewing me out. I sat there and took the *ss-chewing for a few minutes. Then I stopped, looked at him and said calmly, “If you don’t like being in cartoons, go sell cars.” If you are being paid by the taxpayer, I will draw you. If you’re a private citizen, I won’t.

Editorial cartooning is as American as the Founding Fathers. Ben Franklin penned the famous “Join or Die” chopped up snake cartoon. Boss Tweed was taken down by Thomas Nast. Herblock lampooned Nixon. Jimmy Carter began to resemble Jeff MacNelly’s caricature. Once the great Pat Oliphant was in down for an art show. Former Mayor Harvey Johnson was sucking up to him and giving me the cold shoulder. I smiled and said, “He’s a lot meaner than I am. Electionman is nothing compared to what he’d draw.” Recently Speaker of the House Gunn sat right in front of me as I was giving a presentation with his arms crossed. I made sure I had plenty of cartoons about him in the slideshow. Speaker Gunn has a pretty good sense of humor, but I have a feeling he was a bit annoyed with me that day. And of course, there is Jackson City Councilman Kenneth I. Stokes. He’d protest my cartoons, call me names and wait until the TV crews showed up. And as soon as the camera turned off, he scampered back into the air conditioning.

But some politicians get it. In the late ’90’s, I drew state Representative Bill Denny frequently because of the Motor Voter issue. After a few cartoons, he said to me, “Every time you draw me, I get ten more votes.” Most politicians will ask for the original. Haley Barbour told me to “draw him with a thin pen.” (I know for a fact his wife Marsha loved the cartoons of him.) Governor Barbour disagreed with me from time to time, but he has played on the big stage. A cartoon isnt’ going to make him cry. Governor Fordice hated my cartoons about him (and told me quite loudly) but thought I was good at what I did. I can respect that.

It’s not personal. Never has been. I’m old school. Unlike many on social media, I don’t hate people who don’t agree with me. I just disagree with them. Life’s too short to waste energy hating total strangers.

The best reaction of a politician was the late Charlie Capps. Delta State hosted a show of all the cartoon I had drawn of Rep. Capps. My editors and I drove to Cleveland and we went to the opening. Capps, a powerful member of the legislature, Invited family and friends. He’d walk from cartoon to cartoon and just laugh. He was very comfortable in his own skin.

You can tell the ones who are thin-skinned. They like to call your boss and try to get you fired. We have one right now who is particularly bad about that. That makes me want to draw him even more.

So, what drives me to do this? I love where I live. I want the best for it — not only for me, but for my kids. I want people who work for the taxpayer to actually work for the taxpayer. Mississippi is a ripe and fertile field for cartoon material. As a cartoonist, that make me smile. As a dad of three boys, I shake my head. But it’s never dull.

When I do I see a politician, I thank than for giving me so much material. It has been like shooting slow, stunned fish is a very shallow barrel for over two decades now.

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20 for 20: Episode 10 — Bill

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

I passed by his portrait the other day. He had a slight smirk and his eyes were smiling. He was in front of the business he loved while holding a printed copy of The Clarion-Ledger. I looked around the room at the empty chairs and could envision our old staff meetings. The room was full of nervous employees and could almost hear someone yell, “So, how’s business?” Then I could hear his voice.

Bill Hunsberger, the publisher at the time, wouldn’t sugar coat things. That was before things really began to change — but clouds were on the horizon. The room would soon be much emptier. One of those empty chairs would belong to Bill. A heart attack took him much too early from us. I wonder what he’d think about how our business has changed. (Actually, I think I know). I also wonder if anything would have been different if he hadn’t left us too soon.

img_0071God I miss Bill. I’ve worked for some great bosses in my time — Bob Witty, Chris Eddings, David Hampton just to name a few — but Bill was special. He believed in Keith Warren and I enough to help support the birth of The Run from the Sun. The 5K race brought thousands of people downtown to The Clarion-Ledger once a year for a great event thanks to his initial support. He also believed in my work.

But Bill really believed in the community.

There’s a reason the room I was standing in is called The Bill Hunsberger Community Room. His love of the community made him special. And he understood the #1 rule of Mississippi business: If people don’t know you, they won’t pay attention to you. He gave back more than he took. We were all better off for it.

Bill Hunsberger wasn’t a saint. But he was a damn good boss. And as I look back at my 20 years in Jackson, I’m so grateful for the time I worked for him.

P.S. I will give the current C-L publisher Nate Edwards credit. In the short time he has been in Mississippi, he has engaged with the community with an effort that would make Bill proud.

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20 for 20: Episode Nine — Frank

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.
img_0070Former head of WLBT and Jackson Mayor Frank Melton, on the cusp of losing his reelection campaign, died. William Shakespeare couldn’t have written a more Shakespearean ending if he tried.

If the judges of the Pulitzer Prize had known about Frank, I’d have won the Pulitzer four years running. Not because my cartoons were that good — but because Frank was. Jackson voters were hungry to elect a hungry tough-talking businessman (sounds familiar). What they got was an erratic train wreck. I got a nearly daily stream of cartoon ideas.

Busting strip clubs. Mobile Command Centers. Pulling buses over on 220 so he could get a hug. Destroying houses. Trials. Tap-dancing on the Constitution. And forget all the rumors swirling around. It was bizarre.

Frank passed out cowboy hats to the City Council. I had already started drawing him as “The Cowboy.” Clarion-Ledger photographer Vicki King took an epic photo of Frank and Ben Allen in a cowboy hat. Strippers at one of the local strip clubs told our reporter that I could drink for free at their club.

I politely declined the generous offer.

I had two interesting encounters with Frank during his administration. One was at the High Street Taco Bell. I walked in and felt the hair on my next stand up. I looked around and saw Frank and his bodyguards wolfing down burritos. Frank saw me and called me over. I saw one of his guards put his hand near his pistol. Joy. Frank held his hands up to his ears and said, “I love how you draw my ears!” and started laughing manically.

I felt like running for the border.

Two weeks before he died, I was speaking at a law enforcement appreciation banquet. Frank, glassy-eyed, came in and sat down. He quietly sat there as I went through my speech. And then, out of nowhere, he popped up and said, “Marshall, thank you for making my life interesting.” I paused and then said the only think I could, “No Frank, thank you for making my life interesting.”

Those were the last words I spoke to him.

I drew his obit cartoon with him and his dog Abbey (who died right before he did) walking into the sunset. In the end, Abbey was about all he had left. Like I said, Shakespeare couldn’t have written a more tragic ending.

And that my friends, is the bottom line.

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20 for 20: Episode Eight — Slugburgers, Columns and Cannons

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

I’ve eaten a Slugburger.

Now I have to admit, it was a bit of a gastric risk. There aren’t many restrooms between Corinth and Jackson. But I did it. And surprisingly, I enjoyed it. A Slugburger gets its name because that it used to cost a slug (a nickel), not because it was made from slimy creatures who are vulnerable to salt. Corinth, a railroad crossroads, was the apple of General Ulysses S. Grant’s eye 150-plus years ago. The bloody battle of Shiloh (and later Corinth) resulted. There was no bloody stomach battle over the Slugburger, though. Stop by Borroum’s Drugstore in downtown Corinth and try one. The artifacts on the wall are worth the trip alone.

If you’re into all things literary, head to Oxford where you can visit William Faulkner’s home, Rowan Oak. You can see his typewriter, a nice painting of him in regal clothing and his piano. You can experience the place where he wrote all those books that haunted you in high school. Then you can head out to his grave, throw back a toast and thank him for your first F in English.

The Mississippi Delta in the early fall is spectacular. Acres of cotton make the landscape look like an rare snowfall kissed it. Burning fields paint the sky with an orange haze. A low Mississippi river hides behind the levees with white sandbars exposed. You’re driving through the cradle of the Blues. A stop at the BB King museum in Indianola or the Blues Museum in Clarksville helps you understand that the Blues was the a rose on a bed of thorns. Check out the guest book before you leave. Most of the names will be from around the world. Mississippi’s arts are our greatest export.

Grant also pined for Vicksburg. Not because he wanted to play craps at the casino, but because it was the Gibraltar of the Mississippi. Control it and you controlled the river — and you could choke off the South. Walk up and down the battlefield’s hills and you realizing why it quickly became a siege. Imagine wearing a wool uniform in July while bullets whizzed over your head. Go into the Illinois Monument. I dare you not yell to hear the echo.

The Ruins of Windsor is an architectural ghost. Burned accidentally during a party after the Civil War, no pictures of the grand home exist of it today (I’ve been to a few parties like that) — but a sketch found in a Union Soldier’s diary gives us an idea of what it looked like during its grandeur. Today, the pillars act as silent sentinels, guarding the old homesite from time’s assault. A trip down the Natchez Trace will lead you there (and to Port Gibson, the town with a steeple with a finger pointed toward God.). Stand on an Indian mound, too. The terminus of the Trace is in Natchez. The hometown of author Greg Illes is full of grace and charm. And darn good food.

The Mississippi Gulf Coast takes a licking and keeps ticking. Recovering from Katrina’s cruelty and the BP Oil spill’s stain, proves to be a poster child for resilience. But it’s also more laid back than spots to the North. Head out to Ship Island and understand what whispered to Walter Anderson’s muse. Catch a baseball game or eat a good mean. Then head back north on Highway 49 (enjoy all the new traffic lights). Satsumas or Smith County watermelons are sold on the side of the road on your way back to Jackson. Stop in Hattiesburg and eat at one of Robert St. John’s restaurants. If you pass by the sign to Lux, you’ll see the way to the hometown of the Navy’s first African American Naval Aviator. Jesse Brown’s remains are still on a mountainside in North Korea near the Chosen Reservoir.

Meridian’s Riley Center is one of the most beautiful theaters I’ve ever spoken at. For many years it was hidden behind the wall of an abandoned department store. Today, it’s truly a gem. On the opposite side of the state, the Southern Cultural History Center in Vicksburg has a very familiar stage — if you ever watched Oh Brother Where Art Thou. You can almost hear George Clooney communicating to the masses.

Take a trip from Natchez to Nashville on the Trace but be careful at night: It’s like driving through a petting zoo at 50 mph. Stop in Jackson to check out Mississippi’s amazing State Capitol. Built from the winnings from a lawsuit against the railroads, the Beaux Arts building designed by Theodore Line and was finished in 1903. It’s built on the site of the former state prison. One of the 53 replicas of the Liberty Bell sits in front of it. And it’s also protected by cannons liberated from the Germans in 1914. On the dome, the eagle is covered with gold leaf. Down the road is the Old Capitol. Mississippi seceded from the Union in its house chambers. Today, it is a museum. Soon, a new Mississippi and Civil Right’s Museum will be opening.

You can’t travel anywhere in Mississippi without bumping into history. And you’ll probably see someone you know.

For 20 years, I’ve traveled to every corner of this state from Corinth to the Coast to Vicksburg to Meridian. I’ve driven nearly every mile of the Delta and flown down the Mississippi at treetop level. I’ve seen destruction from the worst natural disaster in our nation’s history. And I’ve seen humanity lift itself back up again.

Mississippi isn’t a place for the middle ground. It will challenge your faith and beliefs. You can’t understand a place as complicated as it just by driving from your home to your office. It makes you stronger — just like a Slugburger does for your stomach.

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20 for 20: Episode Seven: Conversations

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

It seems appropriate I now have a television show called Conversations on Mississippi Public Broadcasting. For the past two decades, I’ve enjoyed the back and forth I’ve had with readers. In the beginning, it began as letters to the editors, e-mails and phone calls. Now it’s primarily through social media — although I still get some old school communication. Most of it is positive — although there are people who (gasp) disagree with me.

I know — shocking, right?

One of my first phone calls was from Jerry Clower’s brother Sonny. Sonny might have been a nice man, but he didn’t particularly care for my work or me — and let me know it. Another frequent critic was a local Jacksonian named L.D. Bass. Reverend Bass called me a “blue-eyed devil,” and liked to equate my cartoons to some of the ones in the Jackson Daily News. He was convinced I was a racist — which always put our conversations off on a wrong foot. But I’d let his insults roll off my back and after a while, I even found out what he loved the most — his grandchildren and Tiger Woods. I knew I could bring up either and our conversation was going to take a turn for the better.

Certain events also bring out the worst in people. The 2001 Flag Vote was one of those times. I’m thankful there wasn’t social media back then — the phone calls and e-mails were bad enough. Let’s just say charitably that the Mississippi State Flag Vote didn’t bring the best out of people. But I didn’t mind. I would rather people people be honest with me. And people were very honest with me then, during the McDaniel/Cochran Race and now about Donald Trump — to a fault. Oy.

I’ve also had anonymous posters on local blogs cheer when I had career setbacks and even went as far as hoping my family starved. If you wonder why I don’t post my kids’ pictures and names — well there you go. They don’t deserve that. I sign my name to my work and am willing to accept the consequences. I don’t have much respect for people who take shots at you without signing their name. It’s chickenshit.

But I’m a big boy. I dish it out and can take it. And I’ll tell you the one moment that put it all in perspective for me. On the day of the Mississippi Flag Vote (April 17, 2001), I received numerous heinous phone calls. Then at 5:30 p.m., my doctor called. “Marshall, I don’t know how to tell you this, but you have cancer.”

I didn’t care about the other calls after that. Still don’t.

Ninety-nine percent of what I hear from Mississippians is positive. I love the conversations. I like to hear what’s on people’s minds and I’ve even made friends with many of them. A great group of folks used to hang out on my old Clarion-Ledger blog. They called themselves the Marshall Ramsey Bloggers Association. We’ve had picnics and many remain close friends to this day. I look forward to the conversations my Facebook and Twitter fire up everyday. I will occasionally argue with people but most of time just sit back and read what is on their mind. We all walk different paths and see the world in different ways.  I don’t spend a lot of time picking Twitter or Facebook fights, though. Not that I don’t care — it’s just that I don’t have the time.

My job isn’t to make people laugh or even mad. I’m not trying to convince anyone of anything. But if you read my work and think hard about what you believe, then maybe I’ve made a difference that day.

Thank you for being part of the conversation. And allowing me to have one with you for the past 20 years.

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20 for 20: Episode Six — Sid Salter’s Porch

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Senator Trent Lott and Senator Jim Jeffords (two of the Singing Senators) walked up onto porch of the Salter/Denley cabin. It’s on Founder’s Square, the epicenter of political gossip and hobnobbing at the Neshoba County Fair. The Fair is the self-proclaimed world’s largest house party and one of the last places where a politician can get up and give a speech for sport. Sid Salter, a longtime columnist and political expert in Mississippi, always has a steady stream of politicians coming to his cabin for lunch, Mrs. Denley’s banana pudding (to die for) and good conversation.

You can sit on a porch swing and get a Master’s Degree in Mississippi politics.

Senator Lott noticed me drawing and noticed I happened to be drawing him. I had Governor Fordice cursing career politicians then introducing his good friend Trent Lott, which he did. It was a moment of great irony. The senator noticed his square, block-shaped head and asked with a degree of incredulousness, “Is there anything my barber can do about my hair?

I shrugged my shoulders and said, “No sir. But I could draw it like Mike Moore’s”

Mike Moore was the State Attorney General and was known to love every camera he came across. Governor Fordice called him “Flashbulb Moore.” One day Moore complained about how I drew his hair. “I got a haircut,” he protested as he patted his head. The next time I drew it taller. He complained again. So I drew it even taller. And taller. See a pattern? Don’t think he did.

Senator Lott got the joke and thrust his hand up to make hair like Marge Simpson’s. And right as he did it, he stuck it into the ceiling fan.

CRACK!

The noise was grizzly. He wasn’t badly hurt but he pulled away quickly and held his hand. How he kept from howling is beyond me.

Apparently Gale Denley had a picture of that special moment. I thought, “Great. I killed Trent Lott.” I could see the headline now in the Washington Post, “Smart-ass cartoonist kills Senate Majority Leader.”

Senator Lott wasn’t killed and still has his hand. I still have a job and wasn’t arrested for first-degree hand maiming. I guess there’s not much else to report about that day long ago. But I miss Gale Denley. I enjoy my trips to Sid’s porch. I still hobnob and gossip. I eat too many lunches and spend time with friends. I look forward to Mrs. Denley’s banana pudding. My shoes are either caked with red dust or red mud. The stories get better as we all get older.

You never know what will happen on Sid Salter’s porch. But you can guarantee it will be a good story you’ll be telling over and over again.

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20 for 20: Episode Five — the Interview

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

I remember my interview for this job like it was yesterday. I flew from San Diego to Dallas to Jackson almost exactly 20 years ago. Our flight came in around 9 p.m. I remember how dark it seemed as the plane began its landing cycle (compared to the bright lights of Southern California). I noticed a large body of water (the Reservoir) and thought we were going down. We weren’t — although I’m sure me wearing my life vest spooked the other passengers.

My friend Jon Broadbooks picked me up at the airport. Jon and I had worked for the same paper chain in Houston, Texas — just proving how small of a world journalism really is. He took me on a tour before dropping me at my hotel. A few of his quotes were: “There’s Applebees. If you’re not going going to get the job, you’ll eat there. If you’re going to get the job, you’ll eat at Shapleys.” “That’s Eudora Welty’s house– I think.” “That’s UMC and it’s a great place to go if you’re ever shot.”

It was not a Chamber of Commerce moment.

He also told me that if I complimented the publisher’s picture Reagan, I’d get the job. He was joking — I think. I never brought up the picture (although it was a nice picture of the Gipper).

I nestled into the now boarded-up Edison-Walthall Hotel in downtown. I flipped on the TV and saw Channel 16’s then garish blue set (I was used to Southern California news). I noted how southern all the accents on the commercials were. Then I turned to comedy gold — Jackson City Council’s meeting on public access television.

I knew I wanted to move here.

That morning, I walked over to the paper. We had am eventful editorial board meeting with Rep. Bennie Thompson and I met with various editors and writers. Then Executive Editor John Johnson told me I could make the job into anything I wanted to — I thought if I get the job I’d go out into the community as much as possible. I met a string of people at the paper. Then I sat in the Human Resources Director’s office for another interview. I noticed all the Marshall University items on his wall. “You know much about the plane crash?” I asked naively. The HR director was Nate Ruffin, the player who gave up his seat on the plane to a booster and survived — and was featured in the movie We Are Marshall.

Editorial Page Editor David Hampton picked me up that evening and he and several others took me to Shapleys. OK, so no Applebees. That’s a good sign. Then I thought everyone eating with me liked me — but I now know it was because they were getting a free steak. Speaking of, that was the biggest steak I had had in years. I’m sure Gannett’s stock price dropped after that meal.

The next morning, Joe White (editorial copy editor) and Jim Ewing (editorial writer) volunteered to take me back to the airport. John Johnson told him and Jim Ewing not to get too close to me because I might not pass the drug test. I never got to work with John. I never got to work for him — he was gone by the time I came here in December.

Joe took me to the airport in his Aunt Ann’s 1974 Buick. We cruise by the old Gold Coast (where you bought liquor during prohibition) and a private prison. As I flew back, I met a great couple from Jackson who I still know today.

When I got home, Amy asked me what I thought of Jackson. I told her I had never seen it in the daylight (I hadn’t.) But I did love all the people I met. I had a feeling that this would be a good move. When David Hampton called me a few days later to offer the job, I accepted.

The interview was actually kind of bizarre. But I took the job anyway. Maybe it was a leap of faith. Or maybe I was just intrigued by Gov. Kirk Fordice, Enoch Sanders and Kenneth I. Stokes. Who knows. Actually it was the people I had met while here. I have had the please of working with dozens of amazing journalists.

When we pulled into our apartment complex that December, I saw a Clarion-Ledger box. I smiled and thought, “That is my paper.” It was a feeling that I’ll never forget. Just like that interview so many years ago.

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Drawing the Line

img_0068Imagine trying to cram a big part of 20 years of your life into 119 pages.

But what’s so great about Drawing the Line (my new 20th Anniversary cartoon collection), it’s really not about me. It’s about this complex, frustrating and wonderful state we live in and how I’ve seen it through the years.

I’m flipping through it now, looking at my work. Here are a few thoughts:

1. I’ve noticed my drawing style change. It was more detailed back in the day. In the past six years? Not so much. I can tell I’ve been more rushed. But it still works.

2. I’m pretty happy with the cartoons in the book. In hindsight, I could have dropped a couple to add a couple others. There are a few politicians who didn’t make the cut. Space and access to the cartoons made many of my choices for me. If you didn’t make the book, it’s not personal. If you did, it’s not personal.

3. The cartoons about 9/11 and Katrina bring back the emotions from those tough days.

4. There are more than a few obituary cartoons in the book. I wanted to give people an idea of the calibre of people we’ve lost in the past two decades. I included the cartoon about Walker Wilbanks, too. While Walker wasn’t a Governor or a famous person, his death impacted this community in ways I’ve never seen. It reminded parents who and what in life are really important.

5. I’m thankful I added the story of each cartoon with it. It gives context and allows people to read the book in a couple of different ways.

6. I’m so grateful former Governor William Winter wrote the foreword to the book. And I’ll have what he wrote read at my funeral!

7. Doing it in coffee-table form was a good call. It’s more than a cartoon book. It’s a history book, too.

8. We’ve had some pretty colorful Governors since I’ve been here.

9. It’s amazing I can look at each one and remember drawing them. I have been blessed to work with so many talented journalists throughout the years. I’m thankful for the publishers and executive editors who believed in me. And I’m thankful for the ones who made me work harder to reinvent myself. I’ve had good people editing me. David Hampton is one of the finest men I know. Brian Tolley took the reigns when David retired and did a fine job. Sam Hall is a pleasure to work with, too.

10. As I got to the 172nd cartoon, I thought how lucky I have been to be permitted to come into your homes in cartoon form for so many years. You allowed me in and made my family feel at home.

Thank you.

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20 for 20: Episode Four — Pat

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Galloway church was full. It was Wednesday afternoon and I was doing my usual dog and pony slide show. After a few cartoons of local politicians, I let the audience know a little kernel of truth: I’m not afraid of politicians but I am a little bit of their wives. I told about one former politician’s wife who chewed me a new one for drawing her husband’s teeth too big (honest to God.) They’re divorced now, so I won’t name names. But my story did get a pretty good laugh.

When the room quieted back down, a lady stood up in the back and boomed, “Don’t worry, I love the beret!”
img_0067It was Pat Fordice.

I nearly dove under the table my projector was on. The room erupted in laughter.

That’s the day I got to know the former First Lady. Pat Fordice had a fantastic sense of humor. And proved it over and over again.

When Kirk died, I drew him getting into Heaven by threatening the whip St. Peter’s ass. Now there is an unwritten rule in the South — you only say nice things about people when they die. For example, if the Devil died, you’d say, “he had a way of warming up the room.” So I was besieged with phone messages saying I was rude scum. The seventh message on my machine was Pat Fordice. She said, “the family loved the cartoons and wanted it to hang in his former office as a memorial.” I called back the other people and made a raspberry sound.

Mrs. Fordice wrote the foreword for my first book (Marsha Barbour did my second and Governor William Winter will for the 20th Anniversary collection). I asked her what she wanted — she said, “There are a few original cartoons I’d like.” They hang in Dan Fordice’s airplane hanger to this day.

I’ve gotten to know the Fordice family and think the world of them. Dan once brought up the cartoons while as we were flying over the Reservoir. He flipped the T-6 Texan upside down and said, “Let’s talk about the cartoons you used to draw about my dad.” It was at that moment, I realized the son of someone I made fun of had packed my parachute.

Thankfully Dan and his brother Hunter have their mom’s sense of humor. I once spoke at a Vicksburg Rotary club and they were in the back of the room with their arms crossed. I said, “I’m about to get my butt kicked, aren’t I?” They laughed as I looked for the exit. (Dan does a lot for veterans. He has chronicled WW2 pilots’ lives with amazing oral histories and now is helping current warriors with the Warrior Bonfire Project. He also has an amazing P-51D Mustang fighter modeled after the late Cary Salter’s Charlotte’s Chariot. It’s the plane that I drew on the back of my book Chainsaws and Casseroles.) Dan has passion.

I’ve also written the foreword for Dan and Hunter’s sister Angie Jordan’s biography, “We End In Joy.” I also look forward to joining her for a book signing November 27th at Lorelei Books in Vicksburg. Angie has a new novel out titled “The Bridge to Home.”

Angie is, as my grandmother said, “Good people.”

Toward the end of her life, Pat called me. We talked about her illness and battle. She fought with incredible courage. She also did a lot of heal her family after a very public scandal. She also had a successful radio show and continued to represent her state well.

I’m glad Mrs. Fordice stood up that day and made the crowd laugh at my expense. My life was made better for it.

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