20 for 20: Episode 15 — The Fair

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

img_3288When I lived in Conroe, Texas, my editor Dan Turner always used to go on about how he was going to be buried under the racetrack of this fair he always went to in the summer in Mississippi. I thought, “OK, Dan.” I never thought I’d ever go to Mississippi and I especially never thought I’d go to the Neshoba County Fair.

Three years later, I was standing on that very racetrack with a sketch pad in hand and a Pig Pen-worthy red dust cloud behind me.

I’ve covered the Neshoba County Fair every summer ever since. The politician speaking there is one of the last places in the country where candidates get up and actually give live speeches. There is no polish. No makeup. It’s lots of hot air (and not just from the weather.) It’s a healthy dose of sawdust, red dust and bullsh*t.

Over the years, I’ve developed friendships at the Fair (Billy and Martha at the Underwood cabin for example) and developed an addiction to Mrs. Denley’s banana pudding. While the speeches are OK (not as good as they used to be, to be honest), the gossip around the Pavilion is the equivalent to a Masters in Mississippi Political Science. For many years, you could talk to Gale Denley and learn a textbook. When he died in 2008, it was the equivalent of a library burning down. But you can still sit on Sid Salter’s front porch (the Salter/Denley cabin) and talk to all the politicians who come up to visit Sid.

In the 20 years I’ve been covering the speeches, I’ve watched children grow up into adults, adults act like children and seen Mississippi history take place. I’ve nearly caused Trent Lott to chop his hand off (covered in an earlier story), I’ve heard Kirk Fordice curse the world and the “liberal” Sid Salter. Speaking of Sid one of the great moments was when perineal candidate Shawn O’Hara said he was going to turn corn into gas. Sid and I, who had just eaten, looked at each other and said, “We’re doing that right now.”

The cabins are colorful and the campaign signs cover poles all around the Fairground. Horses race, bands play and red dust covers everything. It’s either hot and dusty or hot and muddy. Since I’ve been going, air conditioning, satellite dishes and cell phones have invaded the fairgrounds. But front porch visiting is still the rule of the land. If you don’t eat at least six lunches, you’re doing something wrong.

I’ve drawn hundreds of Fair cartoons in the past two decades. Most are quick sketches that I draw at night sitting on a front porch while the kids party. I’ll hear the late night sing and then finish up while the last stragglers head back to their cabins. Then I get ready for the next day’s speeches and do it all over again.

I look forward to next year’s Fair and seeing what I can find new to draw about. And Mrs. Denley’s banana pudding. A man has to have his fix.

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The Monday after

 

img_4618Good morning.

It’s the week after the election. Many of you are still trying to process the results of last week’s vote. Some of you are happy. Many of you aren’t. And some of you are shocked. I’d include the President-Elect in that category.

For the fourth time in our history, the loser of the popular vote won the Electoral College. But the system worked liked the Founding Fathers had envisioned. Now we have to sort our way through the outcome.

I’m not going to tell you how to feel. Nope.  You have a right to your opinion just as much as I have a right to mine.  I will say, though, that I haven’t seen America this divided in my lifetime — well, I am too young to remember Vietnam and the Civil Rights movement. But you know what I mean. You’ve probably read Facebook this week.

Somewhere along the way, we’ve lost our collective minds.  It has become popular to paint people who disagree with us a broad brush. And people who disagree with us now are 100% evil.  Gone are the days of Ronald Reagan and Tip O’Neill (two men who didn’t agree on much) having a beer together. Now it is all or nothing.  I have a theory on why this is happening.  We’ve had a steady diet of commentators on TV and radio vilifying people who don’t share their point of view for nearly a quarter of a century and now we’re shocked when Americans do the same.  It’s like being shocked you have a mouth full of cavities after you eat sugar every meal.  Sure, the sugar is tasty — but it’s not healthy over the long run.

Empathy has gone the way of the Dodo. Lord knows I’ve been called about every name in the book this week.  I’m a big boy and can handle it — but it sure has made me lose respect for a lot of people. The best insult I got last week? “Your stupid.”  Ironic and hilarious.

But I understand. People are hurt. They are mad.  They are scared. I get that. That is why they have voted like they have. That’s  why they are in the streets after the election protesting.  It hasn’t been a bucket of chuckles since the Great Recession.

Like I said before, I’m not telling you not to feel.  But let me share with you a quote I stumbled across this morning from Mahatma Gandhi: “Be the change that you wish to see in the world.”

If you don’t agree with the election, organize, get focused and work the system to get your candidates in power.

If you think your side is being portrayed unfairly, don’t act the way you’re being portrayed.

Use your energy to change things, not just slam people on Facebook.

Talk to people. Get outside of your  a la carte news bubble. Read opposing viewpoints. Read news sources you think are “biased.” Figure out the truth for yourself. Don’t have it spoon fed to you.  And just because news isn’t spoon fed to you, doesn’t mean it is biased. It just might mean that your comfort zone is being breached. That’s not a bad thing.  And please, stop using terms and talking points you hear the commentators use. That makes your arguments look weak. Very weak.

America faces some pretty tough challenges. The good news is that you have the power within yourself to make your world a little bit better. Accept responsibility. Take action. If you are worried, find a way you can make a difference.  Imagine how great American really would be if we all did that.

Don’t be helpless. Don’t make yourself into a victim. Fight for what you believe in. Just don’t be a butthead. We already have plenty of those.

Be like the Sheep Dog and the Coyote from the Bugs Bunny cartoons. Fight like hell during the day, and then clock out and go home.

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20 for 20: Episode 14 — The Window

fullsizerenderTo mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

For 15 of my 20 years here, I didn’t have an office, but I did have a huge window right in front of my drawing board. My view? The Capitol Towers parking garage. The editorial department was tucked behind the sports department, far from the newsroom. And for fifteen years, I watched the world go by as I drew.

Here’s a sample of what I saw:

1. For the first two weeks, I thought the door to the building was the door to the Christian Science Reading Room (which is now a donut shop). One day, I saw about 20 people come out of it, and I thought, “Damn, they have some good stuff in there.”

2. I saw one of the car wreck lawyers hand a wad of cash to a man on the sidewalk. Who knows what that was about.

3. A JPD Parking Meter officer was writing a ticket and a person came out and started giving her crap. Before you can say “stupid idea,” she had his ornery butt on the ground and in handcuffs. I contend that if she were in charge of fighting drugs in this city, there would be no drugs. I know I’m not messing with her.

4. After the Bert Case incident, Governor Fordice, with pistol on his hip, walked his dog Lance past our office. He also had a guard (which I guess was to protect the world from a very pissed-off Governor Fordice.) For fun, I put a sign in my window that read, “Marshall Ramsey’s office” with an arrow pointing toward my boss’ office’s window.

5. A guy parked with a dead deer in the back of his pickup truck. Except the deer wasn’t really dead, or was Lazarus, because he came back to life. Wildlife and Fisheries came and dispatched Bambi to the great beyond.

6. I would watch the same people walk from the Electric Building to their cars. I started making up lives for them. I also watched several pregnancies come to term. I see the walkers (not zombies) now and feel like I know them — but don’t say anything. That would be creepy.

7. During Hurricane Katrina, the metal siding on Capitol Towers squealed like bad breaks — except it was much, much louder. Construction barrels and debris also blew down the street. That’s when we knew it was getting really bad.

8. One day, the sky turned green. Soon afterward, we were in the hallway for a tornado warning. I saw many storms blow through. When the street lights turned on during the day, you knew it was time to step back away from the glass.

9. At night, I was like a fish in the bowl. If someone was really mad at my cartoon, they could have shot me then and there. Thankfully they never did.

10. After 9/11, I had a printed American Flag in my window. That seems like that was a million years ago.

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20 for 20: Episode 13 — the Process

img_0074To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Every morning I face the specter of a blank piece of paper. Cartoon ideas are like fresh bread or beer — they get stale quickly. Unlike my friends in the comic strip world, I can’t do cartoons six weeks in advance. Nor can do five in a day and take the rest of the week off. To be topical, they are something I have to do every single day. For example, it’s 7:40 a.m. I have no idea what I am going to draw for tomorrow. That’s my version of the movie Groundhog Day. The alarm goes off and I hear Sonny and Cher. Then I go looking for ideas. And I’ve done it here for 20 years.

Remember 7th grade P.E.? Remember having to run a mile and thinking you were going to barf a lung? I do. And I nearly did. But you know what? I’ve run a marathon — that’s 26.2 miles. You know how I did it? Daily practice. Creativity is like a muscle. It has to be exercised regularly to get stronger.

My muse is pretty reliable. Like I’ve written before, adrenaline is my friend. Katrina, 9/11 — you know, the big issues make my job challenging but easier. The hardest time to come up with a cart3oon? When I’m tired or have been on vacation. This has year has been a personal poopstorm. Yet I’m still cranking out ideas. Is every idea brilliant? No. Even I will admit that.

I’m about to get started for the day. I’ve already watched the news and read the paper. I will scan the internet. For a distraction, I’ll read some Facebook posts (although I’ve done that less during the election.). What I don’t do is look at other cartoons. I’m very particular about this. I don’t want another idea influencing mine (I will occasionally check up on my friends to see what they are drawing). Then I start sketching on 8×10 copy paper. When I get about five good ideas, I’ll present them to my editor. If I have a REALLY good idea, I’ll pitch it. But giving my editor a choice is how I am edited. No one at The Clarion-Ledger has ever told me what to draw. I wouldn’t have taken the job if those were my terms of employment. I also don’t take suggestions. If I am going to be bitched at because of a cartoon, its going to be my idea.

When I have an approved idea, I take a piece of 11×14 Bristol board and sketch it out. I sketch fairly tight. Then I ink over the top of the pencil sketch with calligraphy pens and Micron pens. When the drawing is done, I erase it with a kneaded eraser. They are also great stress balls, too. Ideas can come in 30 seconds or three hours. Drawing takes about two to three hours. Then comes the next step. I scan.

I scan the cartoon, save a line art version of the file for my syndicate. Then I color it using a free program called Colorized. That takes about 15 minutes. I then open them up in Photoshop, size them, touch them up and get them ready to send them where they need to go.

In the old days, I’d take the cartoon downstairs and it would be shot on a big camera then it would be pasted onto the editorial page. Now I email it to the page designer.

Cartoons used to be seen 24 hours after they were created. Now you can see one in the time it takes the time for me to create. That’s good — and bad.

I have to be pretty good at being able to interpret an idea quickly and produce a cartoon. And the faster you do that, the more you open yourself up to a cartoon that hasn’t been checked for potential libel, etc. I have to be on my A game. And as I get busier and busier, that gets harder. But somehow I manage.

Eighty percent of a good cartoon is the idea. I spend about six to seven hours a day (sometimes more) researching for all the things I do. I read a variety of sources (I don’t just listen to one news source for example). I read things I generally disagree with. I look for how things really are and then put my spin on them. My spin is how I see the world — and that’s influenced by how I grew up and where I’ve lived. If you don’t agree with me, that’s fine. I haven’t walked in your shoes. I’ll never totally see things the way you probably do. My wife doesn’t agree with me all the time — and she married me.

I have noticed a chance in tone in this country the past 20 years. When I got started in the 80’s, President Ronald Reagan (R) and Speaker of the House Tip O’Neill (D) were having beers together. They totally disagreed with each other but somehow managed to keep a personal relationship. Now, if someone disagrees with you, they hate you. I have my theories why this has happened, but I will say that social media has made it easier for people to express that sentiment.

Yesterday asked me how much longer I will do this. I don’t know. I hope for a while longer because I love it. All I can predict is that I have to come up with a cartoon idea for tomorrow. So I had better get busy.

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20 for 20: Episode 12: It’s all about people

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Ah, it’s election day. Election day brings back special memories for me — of live blogging, deadline cartoons and cold pizza. I never went out and covered the candidates, but I did sit at my desk, beating my head until an idea popped out. I’d face a 10:30 deadline, praying that the election would be called in time (Bush v. Gore threw a wrench into my plans.) I’d sweat blood but would somehow get the job done. My muse is cranky but consistent.

I can close my eyes and see many of my old coworkers rushing to make deadline. And I can tell you this, I worked with some really good people. Here are a few memories of a few of them.

1. David Hampton. David was my editor for 15 years and is a big reason why I am as successful as I am. He never told me what to draw (in fact, we frequently disagreed on issues). But he knew what was a good cartoon. And he is a fine man. I’m proud to still call him friend.

2. Shawn McIntosh. Shawn was my executive editor for a brief time. My 16-year-old, who was a baby during her tenure, would fuss at her — and I always felt bad about that. She’d like him now, though. I need to run him by the Atlanta Journal Constitution sometime so they can talk government. I think she’d be impressed. She owns the Eagle Head cartoon from 9/11. It has a fine owner.

3. Bobby Cleveland. Could read the phone book and make it funny. He also told me the best dirty joke I know. He’s a hell of a cook. Always said he had the best job in the newsroom. I got paid to draw. He got paid to hunt and fish. When he left the paper, I missed him immediately.

4. Rick Cleveland. Rick is a hell of a writer. Sure, he is a legendary Mississippi sports writer, but his piece he wrote about a mother sacrificing her life to protect her child during a tornado is one of the best pieces I’ve ever read. We’d see each a couple of times a year and I always looked forward to it. Proud to work with his son Tyler now.

5. Orley Hood. You miss Orley. I miss Orley. We all miss Orley. The guy was a brilliant writer, loved his wife and sons more than words and always brightened the day with his smile. I wish he could have had enough time to write a book. It would be amazing. Cancer sucks.

6. Billy Watkins. If I ever do anything worthwhile, I want Billy writing about it. He’s as solid of a writer as there is — an amazing storyteller. He also knows more about the Beatles than Paul McCartney does. He’s as good of a man as I know.

7. Joe White. You probably don’t know Joe, but Joe was the editorial department’s copy editor. He also was the person I first ran my ideas by in the morning. Joe has a neat store near the courthouse in Mendenhall and is one of the most interesting people you will ever meet.

8. Ruth Cummings. People called her mama Ruth because she took young reporters under her wing. Ruth also makes amazing cheese straws. I miss Ruth.

9. Debbie Skipper. Debbie is the keystone that holds the newsroom together. She has put in monster hours since I’ve known her. She is also a good friend and has a good ear. I run my cartoons by her when Sam Hall isn’t available now.

10. Mike Knobler and Rusty Hampton. Two of our past sports editor and both very different in style. But both are brilliant and ran a great department. Neither were shy about voicing their opinion. Mike is a great pilot (and sketchy driver) and has flown to Europe in a single engine plane! Rusty now is a strong cyclist.

11. Joe Powell. (One of the sports writers.) One New Year’s a rifle slug came through the ceiling, struck the desk next to him and ricocheted and hit the light, causing it to shower sparks like the Natural. Joe didn’t flinch. Bullet hole is still in the ceiling tile.

12. Kyle Veazey Kyle got social media before anyone else in the newsroom. He went from building a strong sports following to easing into politics. A good guy.

13. Jim Ewing. I sat four feet from Jim for 15 years. I’ve watched his struggles and victories. But I can tell you this, there is no one who can write informed copy any faster. He was a walking encyclopedia of issues.

14. Sid Salter. There aren’t many people who I respect personally more. Love or hate what he writes, he is one of the most solid human beings I’ve ever met. I look up to him and am proud to know him.

15. Annie Oeth. Annie has a big ol’ heart and is as tough as nails. She’d lie down in front of a truck for her kids.

16. Earnest Hart. Earnest had a rare ability most artists don’t have — he is calm in a storm. He’s now at the Secretary of State’s office and lays out the Bluebook. And he never changes.

17. Godfrey Jones. One of the most talented human beings I’ve ever met. I wish I could draw half as well as he does. The guy loves his cars, too. Would always love seeing what he’d drive into the parking lot.

18. Nate Ruffin. Nate was the HR director and one of the people who interviewed me when I got the job. He also was the Marshall football player who gave up his seat on that fateful flight. (Watch We Are Marshall). As long as he lived, he kept the memories of his teammates alive.

19. Frances Mack. Frances is the glue that holds the C-L together. She pretty much runs the place. But she’s also a great friend and a good ear when you’re having a bad day.

20. Jon Broadbooks. John and I worked for the same newspaper company in Houston, Texas. We were married on the same day. We both went to UT (he got a masters from there.) He picked me up from the airport on my job interview here in Jackson. Jon went up the food chain and became an executive editor before transitioning out of journalism. Great guy.

21. Chris Todd. Chris is a very good photographer and a better man. He’d bust my chops occasionally and had a very dry, acrid wit. But his resilience is something I deeply respect.

22. Keith Warren. Keith and his family were the heart and the soul of The Run for the Sun. He’s a talented photographer, a loving husband, father and grandfather. He can also make a Mac computer run when no one else can.

23. J.D. Schwalm. Cancer took J.D. from us. He showed us how to live while he was dying. A brilliant photographer but an even better human being.

24. Bill Hunsberger. Read one of my previous posts about Bill. An amazing man.

25. Emily Wagster Pettus and Gary Pettus. I’ve known Emily and Gary for a long time. Both are excellent writers. Gary’s sense of humor is as dry as it comes and he doesn’t give a rat’s ass who he offends. Emily is a solid government reporter and a good friend.

I could continue this all day. I’ve worked with hundreds of people in the past 20 years. Most were passionate. They all loved what they did and what they covered. Many were Mississippians. Some have gone on to the big time (Michael Wallace, Seiko Smith, Paige Porter, Ian Rapoport). Some haven’t. But all have shaped my work in one way or the other.
It was never about money with them. It was about passion. That’s something people who only focus on money will never understand.

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20 for 20: Episode 11 — Fish in a barrel

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

Most cartoonists will never see the politicians they lampoon. Me? I run into them daily. It’s interesting to see how people react to being in an editorial cartoon. No one truly likes to be made fun of — I get it. Lord knows I get my fair share of shots taken at me (read the comment sections). It’s just part of the job. And most politicians understand that. Most of them.

One former local politician once really started chewing me out. I sat there and took the *ss-chewing for a few minutes. Then I stopped, looked at him and said calmly, “If you don’t like being in cartoons, go sell cars.” If you are being paid by the taxpayer, I will draw you. If you’re a private citizen, I won’t.

Editorial cartooning is as American as the Founding Fathers. Ben Franklin penned the famous “Join or Die” chopped up snake cartoon. Boss Tweed was taken down by Thomas Nast. Herblock lampooned Nixon. Jimmy Carter began to resemble Jeff MacNelly’s caricature. Once the great Pat Oliphant was in down for an art show. Former Mayor Harvey Johnson was sucking up to him and giving me the cold shoulder. I smiled and said, “He’s a lot meaner than I am. Electionman is nothing compared to what he’d draw.” Recently Speaker of the House Gunn sat right in front of me as I was giving a presentation with his arms crossed. I made sure I had plenty of cartoons about him in the slideshow. Speaker Gunn has a pretty good sense of humor, but I have a feeling he was a bit annoyed with me that day. And of course, there is Jackson City Councilman Kenneth I. Stokes. He’d protest my cartoons, call me names and wait until the TV crews showed up. And as soon as the camera turned off, he scampered back into the air conditioning.

But some politicians get it. In the late ’90’s, I drew state Representative Bill Denny frequently because of the Motor Voter issue. After a few cartoons, he said to me, “Every time you draw me, I get ten more votes.” Most politicians will ask for the original. Haley Barbour told me to “draw him with a thin pen.” (I know for a fact his wife Marsha loved the cartoons of him.) Governor Barbour disagreed with me from time to time, but he has played on the big stage. A cartoon isnt’ going to make him cry. Governor Fordice hated my cartoons about him (and told me quite loudly) but thought I was good at what I did. I can respect that.

It’s not personal. Never has been. I’m old school. Unlike many on social media, I don’t hate people who don’t agree with me. I just disagree with them. Life’s too short to waste energy hating total strangers.

The best reaction of a politician was the late Charlie Capps. Delta State hosted a show of all the cartoon I had drawn of Rep. Capps. My editors and I drove to Cleveland and we went to the opening. Capps, a powerful member of the legislature, Invited family and friends. He’d walk from cartoon to cartoon and just laugh. He was very comfortable in his own skin.

You can tell the ones who are thin-skinned. They like to call your boss and try to get you fired. We have one right now who is particularly bad about that. That makes me want to draw him even more.

So, what drives me to do this? I love where I live. I want the best for it — not only for me, but for my kids. I want people who work for the taxpayer to actually work for the taxpayer. Mississippi is a ripe and fertile field for cartoon material. As a cartoonist, that make me smile. As a dad of three boys, I shake my head. But it’s never dull.

When I do I see a politician, I thank than for giving me so much material. It has been like shooting slow, stunned fish is a very shallow barrel for over two decades now.

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20 for 20: Episode 10 — Bill

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

I passed by his portrait the other day. He had a slight smirk and his eyes were smiling. He was in front of the business he loved while holding a printed copy of The Clarion-Ledger. I looked around the room at the empty chairs and could envision our old staff meetings. The room was full of nervous employees and could almost hear someone yell, “So, how’s business?” Then I could hear his voice.

Bill Hunsberger, the publisher at the time, wouldn’t sugar coat things. That was before things really began to change — but clouds were on the horizon. The room would soon be much emptier. One of those empty chairs would belong to Bill. A heart attack took him much too early from us. I wonder what he’d think about how our business has changed. (Actually, I think I know). I also wonder if anything would have been different if he hadn’t left us too soon.

img_0071God I miss Bill. I’ve worked for some great bosses in my time — Bob Witty, Chris Eddings, David Hampton just to name a few — but Bill was special. He believed in Keith Warren and I enough to help support the birth of The Run from the Sun. The 5K race brought thousands of people downtown to The Clarion-Ledger once a year for a great event thanks to his initial support. He also believed in my work.

But Bill really believed in the community.

There’s a reason the room I was standing in is called The Bill Hunsberger Community Room. His love of the community made him special. And he understood the #1 rule of Mississippi business: If people don’t know you, they won’t pay attention to you. He gave back more than he took. We were all better off for it.

Bill Hunsberger wasn’t a saint. But he was a damn good boss. And as I look back at my 20 years in Jackson, I’m so grateful for the time I worked for him.

P.S. I will give the current C-L publisher Nate Edwards credit. In the short time he has been in Mississippi, he has engaged with the community with an effort that would make Bill proud.

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20 for 20: Episode Nine — Frank

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.
img_0070Former head of WLBT and Jackson Mayor Frank Melton, on the cusp of losing his reelection campaign, died. William Shakespeare couldn’t have written a more Shakespearean ending if he tried.

If the judges of the Pulitzer Prize had known about Frank, I’d have won the Pulitzer four years running. Not because my cartoons were that good — but because Frank was. Jackson voters were hungry to elect a hungry tough-talking businessman (sounds familiar). What they got was an erratic train wreck. I got a nearly daily stream of cartoon ideas.

Busting strip clubs. Mobile Command Centers. Pulling buses over on 220 so he could get a hug. Destroying houses. Trials. Tap-dancing on the Constitution. And forget all the rumors swirling around. It was bizarre.

Frank passed out cowboy hats to the City Council. I had already started drawing him as “The Cowboy.” Clarion-Ledger photographer Vicki King took an epic photo of Frank and Ben Allen in a cowboy hat. Strippers at one of the local strip clubs told our reporter that I could drink for free at their club.

I politely declined the generous offer.

I had two interesting encounters with Frank during his administration. One was at the High Street Taco Bell. I walked in and felt the hair on my next stand up. I looked around and saw Frank and his bodyguards wolfing down burritos. Frank saw me and called me over. I saw one of his guards put his hand near his pistol. Joy. Frank held his hands up to his ears and said, “I love how you draw my ears!” and started laughing manically.

I felt like running for the border.

Two weeks before he died, I was speaking at a law enforcement appreciation banquet. Frank, glassy-eyed, came in and sat down. He quietly sat there as I went through my speech. And then, out of nowhere, he popped up and said, “Marshall, thank you for making my life interesting.” I paused and then said the only think I could, “No Frank, thank you for making my life interesting.”

Those were the last words I spoke to him.

I drew his obit cartoon with him and his dog Abbey (who died right before he did) walking into the sunset. In the end, Abbey was about all he had left. Like I said, Shakespeare couldn’t have written a more tragic ending.

And that my friends, is the bottom line.

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20 for 20: Episode Eight — Slugburgers, Columns and Cannons

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

I’ve eaten a Slugburger.

Now I have to admit, it was a bit of a gastric risk. There aren’t many restrooms between Corinth and Jackson. But I did it. And surprisingly, I enjoyed it. A Slugburger gets its name because that it used to cost a slug (a nickel), not because it was made from slimy creatures who are vulnerable to salt. Corinth, a railroad crossroads, was the apple of General Ulysses S. Grant’s eye 150-plus years ago. The bloody battle of Shiloh (and later Corinth) resulted. There was no bloody stomach battle over the Slugburger, though. Stop by Borroum’s Drugstore in downtown Corinth and try one. The artifacts on the wall are worth the trip alone.

If you’re into all things literary, head to Oxford where you can visit William Faulkner’s home, Rowan Oak. You can see his typewriter, a nice painting of him in regal clothing and his piano. You can experience the place where he wrote all those books that haunted you in high school. Then you can head out to his grave, throw back a toast and thank him for your first F in English.

The Mississippi Delta in the early fall is spectacular. Acres of cotton make the landscape look like an rare snowfall kissed it. Burning fields paint the sky with an orange haze. A low Mississippi river hides behind the levees with white sandbars exposed. You’re driving through the cradle of the Blues. A stop at the BB King museum in Indianola or the Blues Museum in Clarksville helps you understand that the Blues was the a rose on a bed of thorns. Check out the guest book before you leave. Most of the names will be from around the world. Mississippi’s arts are our greatest export.

Grant also pined for Vicksburg. Not because he wanted to play craps at the casino, but because it was the Gibraltar of the Mississippi. Control it and you controlled the river — and you could choke off the South. Walk up and down the battlefield’s hills and you realizing why it quickly became a siege. Imagine wearing a wool uniform in July while bullets whizzed over your head. Go into the Illinois Monument. I dare you not yell to hear the echo.

The Ruins of Windsor is an architectural ghost. Burned accidentally during a party after the Civil War, no pictures of the grand home exist of it today (I’ve been to a few parties like that) — but a sketch found in a Union Soldier’s diary gives us an idea of what it looked like during its grandeur. Today, the pillars act as silent sentinels, guarding the old homesite from time’s assault. A trip down the Natchez Trace will lead you there (and to Port Gibson, the town with a steeple with a finger pointed toward God.). Stand on an Indian mound, too. The terminus of the Trace is in Natchez. The hometown of author Greg Illes is full of grace and charm. And darn good food.

The Mississippi Gulf Coast takes a licking and keeps ticking. Recovering from Katrina’s cruelty and the BP Oil spill’s stain, proves to be a poster child for resilience. But it’s also more laid back than spots to the North. Head out to Ship Island and understand what whispered to Walter Anderson’s muse. Catch a baseball game or eat a good mean. Then head back north on Highway 49 (enjoy all the new traffic lights). Satsumas or Smith County watermelons are sold on the side of the road on your way back to Jackson. Stop in Hattiesburg and eat at one of Robert St. John’s restaurants. If you pass by the sign to Lux, you’ll see the way to the hometown of the Navy’s first African American Naval Aviator. Jesse Brown’s remains are still on a mountainside in North Korea near the Chosen Reservoir.

Meridian’s Riley Center is one of the most beautiful theaters I’ve ever spoken at. For many years it was hidden behind the wall of an abandoned department store. Today, it’s truly a gem. On the opposite side of the state, the Southern Cultural History Center in Vicksburg has a very familiar stage — if you ever watched Oh Brother Where Art Thou. You can almost hear George Clooney communicating to the masses.

Take a trip from Natchez to Nashville on the Trace but be careful at night: It’s like driving through a petting zoo at 50 mph. Stop in Jackson to check out Mississippi’s amazing State Capitol. Built from the winnings from a lawsuit against the railroads, the Beaux Arts building designed by Theodore Line and was finished in 1903. It’s built on the site of the former state prison. One of the 53 replicas of the Liberty Bell sits in front of it. And it’s also protected by cannons liberated from the Germans in 1914. On the dome, the eagle is covered with gold leaf. Down the road is the Old Capitol. Mississippi seceded from the Union in its house chambers. Today, it is a museum. Soon, a new Mississippi and Civil Right’s Museum will be opening.

You can’t travel anywhere in Mississippi without bumping into history. And you’ll probably see someone you know.

For 20 years, I’ve traveled to every corner of this state from Corinth to the Coast to Vicksburg to Meridian. I’ve driven nearly every mile of the Delta and flown down the Mississippi at treetop level. I’ve seen destruction from the worst natural disaster in our nation’s history. And I’ve seen humanity lift itself back up again.

Mississippi isn’t a place for the middle ground. It will challenge your faith and beliefs. You can’t understand a place as complicated as it just by driving from your home to your office. It makes you stronger — just like a Slugburger does for your stomach.

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20 for 20: Episode Seven: Conversations

To mark my 20th year of being a cartoonist in Mississippi, I thought I’d dig out 20 tales from the past two decades. Some are funny. Some are serious. All tell the story of how I came to fall in love with this sometimes frustrating but always fascinating state we live in.

It seems appropriate I now have a television show called Conversations on Mississippi Public Broadcasting. For the past two decades, I’ve enjoyed the back and forth I’ve had with readers. In the beginning, it began as letters to the editors, e-mails and phone calls. Now it’s primarily through social media — although I still get some old school communication. Most of it is positive — although there are people who (gasp) disagree with me.

I know — shocking, right?

One of my first phone calls was from Jerry Clower’s brother Sonny. Sonny might have been a nice man, but he didn’t particularly care for my work or me — and let me know it. Another frequent critic was a local Jacksonian named L.D. Bass. Reverend Bass called me a “blue-eyed devil,” and liked to equate my cartoons to some of the ones in the Jackson Daily News. He was convinced I was a racist — which always put our conversations off on a wrong foot. But I’d let his insults roll off my back and after a while, I even found out what he loved the most — his grandchildren and Tiger Woods. I knew I could bring up either and our conversation was going to take a turn for the better.

Certain events also bring out the worst in people. The 2001 Flag Vote was one of those times. I’m thankful there wasn’t social media back then — the phone calls and e-mails were bad enough. Let’s just say charitably that the Mississippi State Flag Vote didn’t bring the best out of people. But I didn’t mind. I would rather people people be honest with me. And people were very honest with me then, during the McDaniel/Cochran Race and now about Donald Trump — to a fault. Oy.

I’ve also had anonymous posters on local blogs cheer when I had career setbacks and even went as far as hoping my family starved. If you wonder why I don’t post my kids’ pictures and names — well there you go. They don’t deserve that. I sign my name to my work and am willing to accept the consequences. I don’t have much respect for people who take shots at you without signing their name. It’s chickenshit.

But I’m a big boy. I dish it out and can take it. And I’ll tell you the one moment that put it all in perspective for me. On the day of the Mississippi Flag Vote (April 17, 2001), I received numerous heinous phone calls. Then at 5:30 p.m., my doctor called. “Marshall, I don’t know how to tell you this, but you have cancer.”

I didn’t care about the other calls after that. Still don’t.

Ninety-nine percent of what I hear from Mississippians is positive. I love the conversations. I like to hear what’s on people’s minds and I’ve even made friends with many of them. A great group of folks used to hang out on my old Clarion-Ledger blog. They called themselves the Marshall Ramsey Bloggers Association. We’ve had picnics and many remain close friends to this day. I look forward to the conversations my Facebook and Twitter fire up everyday. I will occasionally argue with people but most of time just sit back and read what is on their mind. We all walk different paths and see the world in different ways.  I don’t spend a lot of time picking Twitter or Facebook fights, though. Not that I don’t care — it’s just that I don’t have the time.

My job isn’t to make people laugh or even mad. I’m not trying to convince anyone of anything. But if you read my work and think hard about what you believe, then maybe I’ve made a difference that day.

Thank you for being part of the conversation. And allowing me to have one with you for the past 20 years.

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